Current word count: 497
Totally behind. Fortunately the month is young.
I can't open the draft and read anything I wrote before--it's awful. I saw an idea for editing where you pull up the first draft next to a blank document, and then rewrite the entire thing. I like that idea. I want to do it.
But I have to finish it first.
(What a shame I can't count blog post words.)
Back to the grind...
Thursday, November 5, 2015
Monday, October 19, 2015
NaNoWriMo Looms...
Making characters is fun. Writing battle scenes is fun. Looking over a paragraph and feeling like it is well-written is fun. Imagining scenes in your head as though it was an epic fantasy movie is fun.
Grinding out your story is not.
The problem is... that's kind of the only way to get the story written. That's the dirty work. The tough part. The unpleasant part. When you fight with words, press "delete" more than you want, and consume too much chocolate. (Pregnant lady loooves chocolate.)
But grinding out a story is what separates you from the dreamers and the writers. I really want to prove to myself that I can do this. I don't want to give up when it isn't fun anymore--I've done that on a lot of other things, do it only when it's fun, and when the glory and the magic is gone I leave the task for something else. But I don't want to give up on this dream, that I have a story and it's worth the work and effort to share it with the world.
So National Novel Writing Month is in November, and I want to use it as an opportunity to crank out the last of my first book. If I can I'll start the second, since I have the beginning of it planned out, but I can't get there until I finish the first one. (I refuse to let myself work on another story until this first one is done.) I have to remind myself--I can do this. It's worth it. I've spent years on this concept, and if nothing else comes from it, I'll have completed it at least once. That will make all the unfinished drafts and character development worth it.
And maybe finishing this one will help me kickstart another, even better, story idea.
(Or maybe I've just slipped back with the dreamers...)
Grinding out your story is not.
The problem is... that's kind of the only way to get the story written. That's the dirty work. The tough part. The unpleasant part. When you fight with words, press "delete" more than you want, and consume too much chocolate. (Pregnant lady loooves chocolate.)
But grinding out a story is what separates you from the dreamers and the writers. I really want to prove to myself that I can do this. I don't want to give up when it isn't fun anymore--I've done that on a lot of other things, do it only when it's fun, and when the glory and the magic is gone I leave the task for something else. But I don't want to give up on this dream, that I have a story and it's worth the work and effort to share it with the world.
So National Novel Writing Month is in November, and I want to use it as an opportunity to crank out the last of my first book. If I can I'll start the second, since I have the beginning of it planned out, but I can't get there until I finish the first one. (I refuse to let myself work on another story until this first one is done.) I have to remind myself--I can do this. It's worth it. I've spent years on this concept, and if nothing else comes from it, I'll have completed it at least once. That will make all the unfinished drafts and character development worth it.
And maybe finishing this one will help me kickstart another, even better, story idea.
(Or maybe I've just slipped back with the dreamers...)
Monday, September 14, 2015
Character Creation
Looking over those last few blog posts I relive my frustration at not being able to start a piece of writing or keep it going. My husband has been great at pushing me past it--with his help I have figured out motivations for characters, and feasible (and possibly interesting) story line. I've actually progressed far enough that the end of this first book is in sight; the climactic final battle is on the horizon. Huzzah!
A few months ago we entered the D&D realm with another couple we are friends with. We put our kids to bed, and then play for three or four hours (while praying they stay asleep). Not only is this great for using your imagination, creating characters to play for a campaign got me thinking about the characters in my writing. When I create a character for D&D, it's just another person with a sword or spells to throw at bad guys. That is, until I give them character. I created a dragonborn fighter for one campaign, and I was remotely excited about his abilities, but it wasn't until I selected a life-changing event for him to have endured in his past that I sort of... connected with him as a character. I began to relate to him, cheer for him, and want him to succeed. When I created a gnome druid, I didn't really love her until I developed this quirky, playful, spunky attitude for her. And not only do I love her, but my companions love her as well.
I applied this to one of my side characters in my story, just to see what would happen. I had sort of figured out a past for him, where he came from, but never solidified it. (Worse, it had developed as I was writing, so his past at the beginning of the story was different than near the end!) He was just a stock character, a friend of my main character. But then I thought about his past relationships, decided who his parents were, and where his loyalty to my main char came from. Suddenly he was elevated. I admired him more because his selflessness had a reason behind it, not just because it was a good quality to have. I did it again with a second side character. He was supposed to be funny, dropping horrible jokes, nimble and light-hearted. I considered his past. Who was his family? Where were they now? What is something tragic had happened to them, and he felt eternal guilt from that? Suddenly his personality became a facade, a way to cope with his past. Suddenly he was elevated. I wanted him to find true happiness.
I want to go back and do this with every character in my story now, but my husband is pushing me to just finish the work first. He has a point, because otherwise it might never get completed--the story that starts again but never stops. But I'm still excited to create characters that hopefully readers will love and care about.
Now I just need to figure out how to get myself to write more consistently, instead of in great herculean efforts once a quarter...
A few months ago we entered the D&D realm with another couple we are friends with. We put our kids to bed, and then play for three or four hours (while praying they stay asleep). Not only is this great for using your imagination, creating characters to play for a campaign got me thinking about the characters in my writing. When I create a character for D&D, it's just another person with a sword or spells to throw at bad guys. That is, until I give them character. I created a dragonborn fighter for one campaign, and I was remotely excited about his abilities, but it wasn't until I selected a life-changing event for him to have endured in his past that I sort of... connected with him as a character. I began to relate to him, cheer for him, and want him to succeed. When I created a gnome druid, I didn't really love her until I developed this quirky, playful, spunky attitude for her. And not only do I love her, but my companions love her as well.
I applied this to one of my side characters in my story, just to see what would happen. I had sort of figured out a past for him, where he came from, but never solidified it. (Worse, it had developed as I was writing, so his past at the beginning of the story was different than near the end!) He was just a stock character, a friend of my main character. But then I thought about his past relationships, decided who his parents were, and where his loyalty to my main char came from. Suddenly he was elevated. I admired him more because his selflessness had a reason behind it, not just because it was a good quality to have. I did it again with a second side character. He was supposed to be funny, dropping horrible jokes, nimble and light-hearted. I considered his past. Who was his family? Where were they now? What is something tragic had happened to them, and he felt eternal guilt from that? Suddenly his personality became a facade, a way to cope with his past. Suddenly he was elevated. I wanted him to find true happiness.
I want to go back and do this with every character in my story now, but my husband is pushing me to just finish the work first. He has a point, because otherwise it might never get completed--the story that starts again but never stops. But I'm still excited to create characters that hopefully readers will love and care about.
Now I just need to figure out how to get myself to write more consistently, instead of in great herculean efforts once a quarter...
Monday, June 9, 2014
Gauging How Much To Write...
Seriously, why is the prologue the easiest part?
I have about 11, 438 words written for chapter one, and one more scene to write before I think I'll end it. Then it's on to chapter two, a feat that I haven't achieved in... years. Wow. That's kind of embarrassing to admit, but I suppose between college and a writer identity crisis and creative writing classes, that might happen to you...
One thing that I always struggle with is trying to figure out how long to make my chapters. Or how long to make my book, for that matter. That probably sounds weird-- You make it as long as you want. You're the writer. But for as long as I've been writing, I've wondered how you can tell.
This question especially intrigued me when Husband announced he had written about 30,000 words. Now, when Husband and I work, we'll write anywhere from one scene to five, and then ask the other person to read what we've written and give some general critique. This means that I'm following along in his novel, watching things unfold. We've also talked about our storylines, and where they are going, so we can help each other fully develop ideas and make sure details are in place. This means I know where his story is going. And NaNoWriMo has a goal of achieving a novel that has at least or about 50,000 words. So when he made the 30k announcement, I was perplexed. It felt like he had just started his story. So that made me wonder, how realistic of a goal is 50k? How long of a book does 50k words even get you?
A couple days ago my husband came home from work and pulled out a book he had just finished, a sci-fi novel that was printed in sort of your standard, paperback, compact sci-fi/fantasy way. This book has 391 pages, and 18 chapters. He broke it down like this:
Page 123 of the book has 332 words. Assuming that every page has 332 words (which it doesn't, but we're writers, not mathematicians)....
-estimated 129, 812 words in the book
-estimated 7, 212 words in a chapter
This means that, according to this particular scale, 50,000 words is an estimated 150 pages.
I don't know about anyone else, but the shortest novel on my shelf is over 200 pages...
Let's be clear: I'm not trying to judge. I am pretty positive there are short books out there; I just don't think my husband and I are going to write any short novels any time soon. Breaking down a finished, published novel really helped us put things in perspective. Am I going to stop a chapter when it hits 7,000 words? No way. My first chapter is over 11,000 words already, with another scene to go. What I am going to do, however, is make sure that my storyline moves along at a good pace. If I hit 50k and I'm not at a good pace or a good place in my plotline, then maybe I should rethink how things are going.
It will also help me imagine how my novel will look in physical book form instead of blank white screen form, which is, conveniently, a great motivator.
I have about 11, 438 words written for chapter one, and one more scene to write before I think I'll end it. Then it's on to chapter two, a feat that I haven't achieved in... years. Wow. That's kind of embarrassing to admit, but I suppose between college and a writer identity crisis and creative writing classes, that might happen to you...
One thing that I always struggle with is trying to figure out how long to make my chapters. Or how long to make my book, for that matter. That probably sounds weird-- You make it as long as you want. You're the writer. But for as long as I've been writing, I've wondered how you can tell.
This question especially intrigued me when Husband announced he had written about 30,000 words. Now, when Husband and I work, we'll write anywhere from one scene to five, and then ask the other person to read what we've written and give some general critique. This means that I'm following along in his novel, watching things unfold. We've also talked about our storylines, and where they are going, so we can help each other fully develop ideas and make sure details are in place. This means I know where his story is going. And NaNoWriMo has a goal of achieving a novel that has at least or about 50,000 words. So when he made the 30k announcement, I was perplexed. It felt like he had just started his story. So that made me wonder, how realistic of a goal is 50k? How long of a book does 50k words even get you?
A couple days ago my husband came home from work and pulled out a book he had just finished, a sci-fi novel that was printed in sort of your standard, paperback, compact sci-fi/fantasy way. This book has 391 pages, and 18 chapters. He broke it down like this:
Page 123 of the book has 332 words. Assuming that every page has 332 words (which it doesn't, but we're writers, not mathematicians)....
-estimated 129, 812 words in the book
-estimated 7, 212 words in a chapter
This means that, according to this particular scale, 50,000 words is an estimated 150 pages.
I don't know about anyone else, but the shortest novel on my shelf is over 200 pages...
Let's be clear: I'm not trying to judge. I am pretty positive there are short books out there; I just don't think my husband and I are going to write any short novels any time soon. Breaking down a finished, published novel really helped us put things in perspective. Am I going to stop a chapter when it hits 7,000 words? No way. My first chapter is over 11,000 words already, with another scene to go. What I am going to do, however, is make sure that my storyline moves along at a good pace. If I hit 50k and I'm not at a good pace or a good place in my plotline, then maybe I should rethink how things are going.
It will also help me imagine how my novel will look in physical book form instead of blank white screen form, which is, conveniently, a great motivator.
Tuesday, April 22, 2014
Moving Forward...?
I've probably mentioned this before, but getting a story started is the hardest thing for me as a writer. I feel like I have so many ideas, so many things I want to get down on paper or pounded out on the computer, but it doesn't mean anything if it doesn't have a beginning... I've taken my novel and started it countless times and always, every time, I get partway into it and feel like that route isn't the one that is best. My dear husband has been so kind, and sat me down one day to work through ideas. We talked about different directions the story could go, what characters want and what their motives are, how characters would react to different situations, where they could go, who they could interact with... It was something that I really, really needed. Sometimes I think of an idea and trap myself in that idea, as if I can't come up with anything else. Hearing the ideas processed through someone else was a great way to get them away from me, so I was able to see flaws or compare good ideas to mediocre ones.
My husband has been making tons of progress on his story. He is also one of the best people I could ask for when it comes to talking about story ideas and plots. He's the kind of writer who plans out his storyline for multiple books, and then a week later tells me he scrapped the storyline because it doesn't make sense to send his characters here or there and let me tell you all the reasons why....... It's a very logical way of looking at the plotlines. I'm more of the creative one, the person who feeds the plot details and descriptions. We sort of are involved in each other's writing, because we are good at such different parts of writing.
I hope that this time we are able to move forward-- both of us. There are lots of great ideas on the table, and I'm grateful that I have someone to help me with my writing. There's no reason to write alone, people! Find someone who can write with you, and help each other!
My husband has been making tons of progress on his story. He is also one of the best people I could ask for when it comes to talking about story ideas and plots. He's the kind of writer who plans out his storyline for multiple books, and then a week later tells me he scrapped the storyline because it doesn't make sense to send his characters here or there and let me tell you all the reasons why....... It's a very logical way of looking at the plotlines. I'm more of the creative one, the person who feeds the plot details and descriptions. We sort of are involved in each other's writing, because we are good at such different parts of writing.
I hope that this time we are able to move forward-- both of us. There are lots of great ideas on the table, and I'm grateful that I have someone to help me with my writing. There's no reason to write alone, people! Find someone who can write with you, and help each other!
Thursday, March 6, 2014
Body Language
I liiiiiiiiive......
Ok, so there are a gazillion different things to remember when you're writing, right? Character development, world building, scene creating, using all five senses, using proper grammar, making actions believable, plot development, on and on and on... As if that's not enough, I want to talk about another one.
But never fear, I come with a handy dandy reference!
My husband wasworking browsing the internet at work today and discovered a page about body language. It's amazing how little subtleties in your writing can make such a difference, and how your characters act around each other can portray so much without them speaking a single word!
I'll link you to the page on submissive body language, but there are other links at the bottom for emotions, aggressive body language, and floppy language. (I haven't read up on floppy language yet, so you'll have to investigate that on your own. I am the writer who also has a small child that crawls up my leg quite frequently, so I don't always remember to finish what I start. I could read it now, but I'm sick and I should be sleeping. We all procrastinate. Don't judge. Tangent. Tangent tangent tangent tangent.....)
I'm super excited about this resource because it is simple. Basic. Easy. Why get complicated with fine details when there are so many other things to remember in your writing?? Exactly. Keep it simple. I'm pretty sure there is such a thing as over-writing and turning away readers that just want to enjoy a great story. Body language can help create it.
"Hey, Alice!" called Sarah.
Alice turned to see a bright-eyed blonde girl approaching, one arm waving in the air. As Sarah drew closer, Alice folded her arms and hunched over the books she carried.
"How are you?" Sarah asked. "I haven't seen you in forever."
Versus:
"Hey, Alice!" called Sarah.
Alice turned to see a bright-eyed blonde girl approaching, one arm waving in the air. As Sarah drew closer, Alice straightened and tucked the books she carried under one arm.
"How are you?" Sarah asked. "I haven't seen you in forever."
Exactly.
Body language. Simple. Easy. Less cliche than:
"Hey, Alice!" called Sarah.
Alice turned to see a bright-eyed blonde girl approaching, one arm waving in the air. As Sarah drew closer, a grin spread across Alice's face.
"How are you?" Sarah asked. "I haven't seen you in forever."
Ok, maybe the grin thing isn't as cliche. You're certainly allowed to show emotion along with body language. That would take the second example further. Alice straightens and tucks her books under her arm. I guess out of context one could see a couple things, like maybe Alice is straightening up and getting ready for a fight with a frenemy. Maybe Alice is straightening up because her day was pretty crappy and it's nice to see a friend, an ally. But the body language is a good precursor. It readies the reader for different reactions.
I don't even know if I'm making sense. This happens a lot. Oh well.
Body language! Awesome resource! I shouldn't let my sick brain write blog posts. Write!
Ok, so there are a gazillion different things to remember when you're writing, right? Character development, world building, scene creating, using all five senses, using proper grammar, making actions believable, plot development, on and on and on... As if that's not enough, I want to talk about another one.
But never fear, I come with a handy dandy reference!
My husband was
I'll link you to the page on submissive body language, but there are other links at the bottom for emotions, aggressive body language, and floppy language. (I haven't read up on floppy language yet, so you'll have to investigate that on your own. I am the writer who also has a small child that crawls up my leg quite frequently, so I don't always remember to finish what I start. I could read it now, but I'm sick and I should be sleeping. We all procrastinate. Don't judge. Tangent. Tangent tangent tangent tangent.....)
I'm super excited about this resource because it is simple. Basic. Easy. Why get complicated with fine details when there are so many other things to remember in your writing?? Exactly. Keep it simple. I'm pretty sure there is such a thing as over-writing and turning away readers that just want to enjoy a great story. Body language can help create it.
"Hey, Alice!" called Sarah.
Alice turned to see a bright-eyed blonde girl approaching, one arm waving in the air. As Sarah drew closer, Alice folded her arms and hunched over the books she carried.
"How are you?" Sarah asked. "I haven't seen you in forever."
Versus:
"Hey, Alice!" called Sarah.
Alice turned to see a bright-eyed blonde girl approaching, one arm waving in the air. As Sarah drew closer, Alice straightened and tucked the books she carried under one arm.
"How are you?" Sarah asked. "I haven't seen you in forever."
Exactly.
Body language. Simple. Easy. Less cliche than:
"Hey, Alice!" called Sarah.
Alice turned to see a bright-eyed blonde girl approaching, one arm waving in the air. As Sarah drew closer, a grin spread across Alice's face.
"How are you?" Sarah asked. "I haven't seen you in forever."
Ok, maybe the grin thing isn't as cliche. You're certainly allowed to show emotion along with body language. That would take the second example further. Alice straightens and tucks her books under her arm. I guess out of context one could see a couple things, like maybe Alice is straightening up and getting ready for a fight with a frenemy. Maybe Alice is straightening up because her day was pretty crappy and it's nice to see a friend, an ally. But the body language is a good precursor. It readies the reader for different reactions.
I don't even know if I'm making sense. This happens a lot. Oh well.
Body language! Awesome resource! I shouldn't let my sick brain write blog posts. Write!
Tuesday, July 23, 2013
Still Stuck
So when I work on my novel lately, I've really been struggling with how to start it. I've been developing these characters and this novel since I was in high school. The storyline, the characters, everything has undergone a lot of changes over the years, especially when I was taking Creative Writing classes on campus. The main character that I've always had has lost her part in the story, I don't know where to put her or what to have happen to her. Instead, my second main character has developed an even stronger story and back story. Its throwing me off.
It occurred to me today that I could just make the second main character's story the forefront of the story, instead of the first main character, but that sort of terrifies me. I don't know how on earth I would be able to do that, set the first main character's story as a sideline...
I don't know if this is making any sense, but my novel is sort of going through an identity crisis, and it's hard to deal with. My husband has been trying to talk me through it, but I'm not excited about any of the ideas. I like them, but I'm not excited. Maybe it's because I'm scared to try a completely different route with this. I know it needs to be done, but I'm a complete pansy.
This novel business is tough work.
It occurred to me today that I could just make the second main character's story the forefront of the story, instead of the first main character, but that sort of terrifies me. I don't know how on earth I would be able to do that, set the first main character's story as a sideline...
I don't know if this is making any sense, but my novel is sort of going through an identity crisis, and it's hard to deal with. My husband has been trying to talk me through it, but I'm not excited about any of the ideas. I like them, but I'm not excited. Maybe it's because I'm scared to try a completely different route with this. I know it needs to be done, but I'm a complete pansy.
This novel business is tough work.
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